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As far as we are

The background of the concept is a part of the book "Hiroshima mon amour" from Marguerite Duras.
The inner strife of the main-actress, the past that always catch up with her, lost in the frivolity of the present. But what is behind of that. What is hiding? What is covered?

"And I call you, also if you are dead. And one day,
All of a sudden on one day,
I scream

I scream as loud as pigeons do.
Then they close me in the cellar in order to punish me." (Marguerite Duras, Hiroshima mon amour) 

Video was shown at:

tanz_house festival, DAS KINO, Salzburg/Österreich
Tanzfilmnacht, RedSapata Artpark, Linz/Österreich
Videoteca Municipa, Lissabon/Portugal
Auditório Fernando Lopes Graça, Almada/Portugal 
EDIT2008 4th International Dance Film Festival, Toldi Theatre, Budapest/Ungarn 
Escola Superior de Dança de Lisboa, Lissabon/Portugal
montage Video Dance Festival, Wits Theatre Johannesburg/Südafrika
INPORT Video-Performance Art Festival, Tallinn/Estonia 
Festival Danca Sem Sombra, Sao Luiz Municipal Theater, Lissabon/Portugal
Framefestival, Porto/Portugal
Berner Tanztage, Bern/Schweiz
Dance Screen, Lyon/Frankreich
Dance on Camera Festival, New York/USA
Canal Dansa Festival, Barcelona/Spanien
Szene Salzburg, Salzburg/Österreich
Impulsfestival, Wien/Österreich

About

CREDITS

ARTISTIC DIRECTION AND DIRECTION: HELENE WEINZIERL

CHOREOGRAPHY: HELENE WEINZIERL

CAMERA: CHRIS AMRHEIN

VIDEO CUT: PETER HINTERBERGER AND CHRIS AMRHEIN

MUSIC SET AND FINAL CUT: CHRIS AMRHEIN

IN COLABORATION WITH: CLAUDIA HEU, HELENE WEINZIERL, JANETT SUMBERA, LISA HEINTERREITHNER, MARION HACKL, MATHIAS BERGHOFF

SUPPORTED BY:BKA KUNST, SALZBURG STADT:KULTUR, SALZBURG LAND:KULTUR, ERSTE-SALZBURGER SPARKASSE KULTURFONDS.

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